I’m back writing for The New Republic, with a book review of The Gag Man, Matthew Dessem’s excellent new biography of Clyde Bruckman, a tragic pioneer of early film comedy.
Buster Keaton! Stolen jokes! The Fat Jew! Read on for my full thoughts on Dessem’s sharp, amazingly well-researched work (which you can also pre-order here).
The good folks over at Diabolique Magazine gave me the chance to review Flicker Alley’s new U.S. Blu-Ray release of “Man with a Movie Camera” and some of Dziga Vertov’s other recently-restored works. If you’re interested in experimental Soviet cinema and obtuse film-school-favorites, go on over and give it a look-see!
Dziga Vertov: The Man with the Movie Camera and Other Newly-Restored Works (U.S. Blu-ray Review)
Another long Oscar season drew to a close last night. I consider “Birdman” a worthy winner – you may have noticed it on my Top 10 Films of 2014. But more importantly, I think it firmly entrenched a fascinating new trend in Academy history.
To see my thoughts on why our image of what makes an “Oscar movie” is (or should be) changing, check out The New Republic: